Having spent endless hours over the years tweaking graphic equalizers with real time analyzer setups in various types of indoor facilities - I've always been pleased with the speed and relative accuracy of the auto eq feature on the 260. However I have found the auto eq feature is such a great time saver in this permanent (indoor) installation - an acoustically challenging concrete amphitheater style building that seats 3500 people - that I figured I'd save more time with auto eq than with the great remote management architecture of the 480. I'd have preferred to manage them with driverack 480's due to the management features in the 480 architecture. The installation where I use the most driveracks has 10 clusters of double 18's with horn loaded mid/highs (medium and long throw).
DBX DRIVERACK 260 USED FULL
I've got a rack full of these 260's because the 480 did not come with autoeq at the time I needed to outfit a. This is a great buy!!įrom Fiji Islands on OctoMusic Background: Live sound, recording, musician. I've also used an ASHLY Protea 4.24c and was impressed but I was blown away by how easy the 260 is to use. This feature is DEFINATELY worth the extra money as it cuts setup and configuration time in half. I purchased the Driverack 260 over the Driverack PA for a few reasons-the main one being I wanted to have the ability to configure it via a computer.
I recently took the 260 outdoors for an event I was doing sound for and once again the Driverack pulled through with flying colors. The crossover is amazing, both the graphic EQ and the Parametric EQ are awesome, and many of the extra features such as feedback surpression are great tools if configured correctly. I was blown away by the clarity and quality of the processor. I'm a 16 year old guy that does sound engineering and recently got a Driverack 260 for a sound system I put in.
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DBX DRIVERACK 260 USED SOFTWARE
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